Friday, 13 November 2009

Vinyl Records - Part 1

Hello group!

Today I'd like to introduce you to the world of collecting vinyl records. This will be a multi-part presentation series, similar to the one about "The Brain" from 2 weeks ago. I'll try to spike your minds with some interest in vinyl records (or at least a bit of wisdom about them) .

In this here first part I'd like to cover the basic knowledge regarding this music medium.

You all probably know what a vinyl record is, but just to recap:

A vinyl record is a music storage medium, recorded on big round vinyl discs, which can then be played back on a turntable. A record has usually 2 sides and on each side there's a single groove that goes spirally from the beginning till the end of the side, which spans music tracks.

When playing, a turntable's stylus (also called a needle) is set onto the groove while the turntable's platter is spinning at a constant speed. The stylus picks-up the recorded audio signal from the record and sends it along the turntables arm, out of the turntable and into some kind of amplification equipment, so the music can be heard.

The question for today’s part is: “What kinds of vinyl records are there anyway?”

For starters, let’s classify the numerous instances and parameters of vinyl records:

1. Speed – there are 16,33,45 and 78 RPM (Rotation Per Minute) records

These are the speeds at which a record must be played on your turntable in order to properly listen to the recorded music. 16 and 78 RPM discs are very rare these days as (for the most part) they were made back in the days when vinyl was a ‘yet to be standarized’ format (up to the early 1950’s). 16 RPM is the rarest of the bunch (used usually just for recording speeches), while 78 RPM has a cult status of it’s own as even some modern DJ turntables have the capability of playing these records.

The most popular formats are 33 and 45 RPM discs.

2. Record size – 7,10 or 12 inches

As vinyl records are round, we denote their size through their diameter.

7 and 10 inch discs are the sizes most commonly used by the so called “single-play recordings” (SP for short), more commonly known as “singles”.

12 inch discs is the most common size for “long-play recordings” (LP for short).

What does LP and SP mean in practice? Read on.

3. Music time

This is the classification scheme that ties both the record’s size and playing speed. Why? Because the amount of music included on a vinyl disc strictly depends on those 2 factors. It’s quite a simple principle: the smaller the size and the higher the RPM speed, the faster the turntable’s needle will ride on the disc’s groove and the faster it will come to the end of the side.

The vague name of “long-play recording” simply means that you can play a recording for a “long time” (it became a pretty relative term in comparison to tape and CD time capabilities). LPs can cover up to about 25 minutes of music per side and as vinyl records are double-sided, an LP disc's music coverage can amount up to 50 minutes of music, although from my experience most LPs were released with up to 40-45 minutes of music. All LPs are 33 RPM speed records and have the size of 12 inches.

‘Single-play recordings’ on the other hand can’t be classified as easily as LPs are. SP means that a record can be played a “single time”, meaning that it mostly includes just one track/song for each side.

The most popular size format for SPs is the 7 inch one and most 7 inch records are of 45 RPM speed (although one can sometimes find 33 RPM singles too). These can amount up to approx. 6 minutes of music per side.

There are also 12 inch SPs, which are often called “Maxi singles”. These are mostly used in the case of songs (or a pair of tracks) which exceed the 6 minute limitation of 7 inch records. The play time here can amount up to approx. 12 minutes per side.

The 10 inch is the least-popular size for SPs. It can be considered as a bridge between the play time capabilities of 7 and 12 inch SPs.

4. Record material types

Most vinyl records have a black color, but that doesn’t mean that it’s the only form available.

4.1. Record companies sometimes release a limited batch of so called ‘”color vinyl” records.
These records can be purple, yellow, white, blue, grey, red, etc., a combination of colors or even transparent or fluorescent!

A yellow color vinyl record played on a turntable

Sound-wise, there should be no difference between color and regular vinyl recordings, although some people say that color vinyl is worse, because it’s often more prone to physical damage.

Nowadays, many music groups release their works on color vinyl and in most cases it’s not just a “limited series” anymore.

4.2. There are also vinyl records in the form of so called “picture discs”.

Picture discs simply include a picture or some form of art on it’s sides instead of the regular black color and because of that, such records often have a transparent cover (instead of a regular one) or are simply sold in a transparent record sleeve, without a cover. Most picture discs were very rare and limited releases, but they’re becoming increasingly popular nowadays.

Picture disc album released by Metallica


This concludes today’s part of my presentation series. I hope it wasn't too boring.

The next one will cover tips on buying vinyl records.

19 comments:

  1. I don't know much about vinyl records, so please forgive me if my question is silly ;-) I understand from your presentation that they are still produced - am I right? Does it mean that adapters are also still produced? I've always thought that they are only relict of the past collected by admirers.

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  2. Don't think of your question as silly. In fact, many people ask me this, both young and "old", so there's nothing to be ashamed of.

    Yes, vinyl records have fallen into a bit of obscurity over the years, but didn't "die" (like, for example, music cassettes did).

    You can find most new albums both on CD and vinyl LP. Music labels also regularly publish re-releases of old albums on vinyl. I'll write a bit about that in the next part of my presentation.

    As for turntables, yes, they are still produced, but not so much by the main and popular brands of audio equipment makers like Sony, Pioneer and such. There are 2 extremes of new turntables nowadays: DJ and 'audiophile'-grade devices. The first ones are the ones used usually by DJs, but they of course can also be used for regular listening. The second group are rather minimalist devices built by small companies which specialize in the niche market for 'audiophiles', which are people who strive for the best audio quality possible.

    A new turntable (from both groups) can cost from around 1000zl.

    I don't mention cheap turntables by the brands Elta or Watson, which can lately be found even in supermarkets.

    I personally use old, used turntables. A good used one can cost from around 250zl. If used properly, those devices will still sound as good as new.

    "Adapters", ah, now that's a Polish-language novelty :). Technically, an "adapter" in Polish is the part at the end of the turntable's arm, in which the stylus/needle resides (this part is called a cartridge in English). Why it became common in Poland to call a whole turntable (gramofon in Polish) an adapter, I don't know ;). English-speaking people won't know what you are talking about if you mention adapters :).

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  3. Nice post! It's good to learn new staff.
    I have heard what vinyl records has soul and music from them sounds great. But I never had heard any thing played by turntable(ok... only from DJs :P ). I must try this!

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  4. I encourage you to do so someday Marek, at least for the sake of having your own opinion about how it sounds like ;).

    For me vinyl records sound warmer, more natural to the human ear, different (often better) than what I hear on a CD or mp3 file.

    I know that LPs may be pretty inconvenient in comparison to the other popular music mediums. I myself have some doubts from time to time, if it was worth to spend my money and time on them at all, but then I play one of those records and all my doubts fade away... ;)

    So it also depends on what do you want from your music and what's more important to you.

    Oh and don't take me wrong, I own and listen to CDs and mp3s too ;)

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  5. Thank you for detailed answer :-) I didn't know how to translate Polish 'adapter' so I used dict.pl and the answer was... 'adapter' :D

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  6. The biggest problem with vinyls is that they wear off over time. Dust and scratches are their main problems. Nonetheless they really have a soul :)

    btw I've heard that oldschool vinyls are different from the ones DJs use. Is that true?

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  7. No problem Asia ;) Adapter is one of those words with many meanings, I guess.

    Adam:
    You're right about the "biggest problem", we can't avoid the fact that the stylus has physical contact with the record's surface, but I can assure you that if properly cared for, vinyl records can last for a very long time, even if you play them often.

    As for the difference between DJ vinyls and "oldschool" ones, that depends on what you call "oldschool" :) If you mean records from the early 20th century, those that were played on a vintage gramophone (patefon in Polish), like this one here: http://getfantasticdeals.com/library/Gramophone.jpg , then yes, they are different.

    If you mean the ones produced in the second half of the century, right after microgroove technology had been invented (which narrowed the record's grooves, effectively resulting in expanded capacity for music), then no, they don't differ much from records produced today.

    Even the production technology didn't change that much. In fact, many small record pressing plants all over the world still use machines from the 50's or 60's ;)

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  8. I mean that I've read somewhere that "dj vinyls" do not contain music but information about playback speed.
    This paired with hardware/software? allows to control playback in a similar way to vinyl records but music is played from a file.

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  9. Ah yes, now I know what you mean. Those are so called time-coded records, which indeed, bundled with a special cartridge and stylus and a computer with special software, give you the "analog" control, although the real music source comes from the computer.

    This is a nice gimmick and all, but not many DJs use this method, from what I know. Most of those that use turntables stick to using real vinyl records with music recorded onto them.

    There are also special DJ CD players which give you a little platter, which you can spin and control as if you'd use a turntable for the same effects ;).

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  10. Frankly speaking I am not from the era of vinyl records.... I was born in the 80's, and sure , at that time, vinyl was the preferred playback medium.
    Mhhhh....my parents have very nice collection of LPs. I heared from them that vinyl has a richer, warmer tone than CDs.

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  11. Like Marta, I don't feel like I'm from era of vinyl records, so have never been very interested in this topic. The first media I used to listen to music was cassette tape. It was very imperfect, but also had this little something :)
    When CDs became cheaper, I just switched to them and forgot about the cassettes. They're just better. Because of the same cause I'm not interested in vinyls as a music media, but I must admit that they're vintage and somehow sophisticated ;)

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  12. I love vinyls. They have warmer sound. They often have some nice big picture/art as cover.
    Today vinyls are not for everyone, they are for real music lovers.
    And one more thing - you said that there is no LP with 45 RPM, but I have one - original record from Jamaica, legenday Tuff Gong studio ;)

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  13. I think that the larger part of the music impression is the music itself not the form in which it is delivered. Of course I would rather listen to the music from a vinyl record sitting in my favorite chair with my favorite drink in the hand than listen to it in a public toilet from a damaged radio.

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  14. Listening to music from ipod is absolutely rubbish comparing to vinyl, even though ipod is silver shiny in fancy color.
    Music from "adapter" is different, full of warmth, noise or scratches are similar to grain in photography part of music..

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  15. I agree with Andrzej, listening to music via iPod steals part of music magic.

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  16. Marek:
    Old iron also has a soul, but I personally prefer the electric one ;p

    Neither I heard any vinyl record but in my opinion not only a source of music is important. You also need a good headphones or speakers with solid receiver.

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  17. I have never heard any vinyl records. Perhaps I should try.

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  18. I have a vinyl record collection on my own and i adore it. There is sth magic in playing those old records or any vinyl in fact.

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  19. When I was a child I used to listen vinyl record because my father had large collection - then I stopped and I don't really know why, maybe because electronic come to our lifes and it was much cheaper.
    Now I meet with our friend every friday and we listen to music and one of my friends play on "adapter" :)

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